Oh, to have been a bit more sentient in the seventies
When I was about five, I owned a cassette of "America's Greatest Hits." It contained songs including "Horse with No Name," "Sandman," and, of course, "Muskrat Love."
I've been walking around my house muttering "I understand you've been running from the man that goes by the name of the Sandman/He flies the sky like an eagle in the eye of a hurricane that's abandoned."
I now find the grammar of these lyrics somewhat grating (you can't say "the man that" any more than you can say "the silverware who"); also, a "hurricane that's abandoned"? That is both grammatically appalling and nonsensical. But catchy!
Incidentally, it took until I was about ten to catch on to the fact that "America" was a band and that I did not, in fact, have in my possession the greatest all-time hits of our entire country.





1 Comments:
What we must remember about America is that, while all the other bands were tossing out morality with the credo of sex, drugs, and rock 'n' roll, America was the only band brave enough to buck against prescriptive grammar. How else can you explain "for there ain't no one for to give you no pain?"
Sadly, in the late 1970s, production stopped on their much anticipated landmark album "A Prescription For Bishop Lowth" due to the bass player's split infinitive overdose.
Perhaps some day we can hear the recordings of those aborted sessions.
-Chris
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